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A friend recently recommended this book:

Good House Cheap House – An Adventure in Creating and Extraordinary Home at an Everyday Price by Kira Obolensky.

The main premise of the book is that you can build your dream house for below market rate prices through creativity, salvaged materials, and hard work.  I will start by saying that I like the idea and I really like a most of the houses that she features. I also agree with Kira that the architect should not be eliminated as a cost saving measure. But now I will pick apart the strategies that she puts forward.

1) Salvaged materials – Generally this is not a viable or significant cost saving measure for most people. It is hard to find and store quantities of building materials. Using used windows doesn’t make sense in most climates because used windows are mostly not up to current energy efficiency standards. Using used framing materials often requires that they be re-certified to prove they can still perform.  Additionally, Labor costs in the United States are usually a bigger share of the budget than the materials….so it doesn’t make sense from a financial standpoint to have paid labor removing nails and cleaning up salvaged materials.  That said, if you do have a place to store materials out of the weather and access to good salvage yards, craigslist, and other places to buy used materials, money can be saved. There is often also character and charm in using salvaged materials..and of course it can be more environmentally sound. The same is true of saving parts of an old building rather than tearing it down and starting from scratch. Unfortunately, it is often cheaper to start from scratch.

2) Creativity – Kira shows many examples of ingenuity and unconventional uses of materials. Honestly, for most people with a hired contractor, I can’t imagine that this saves any money. The idea would have to be communicated from architect to client to builder, or from client to architect to builder or maybe just from client to builder and this often is a challenge.  Frequently new creative ideas scare builders who have to put a price tag on things ahead of time.  Many of the houses in Kira’s book are architects’ own houses. Its much easier to be creative on your own house. You can experiment and don’t have to spend time creating drawings, models, or other tools to convince the client of the idea.  These architects probably did some of the building themselves, eliminating communication altogether.  That said, much of the construction budget goes to finish materials. If you like the aesthetic of plywood as a finish floor or various sheet goods rather than tile for your shower and bathroom floor, curtains instead of doors for the shower and some closets, then you can save money.

It is wonderful to create something beautiful through creative use of basic materials. In my mind this is way cooler than making something beautiful by spending money on expensive tiles, carpets, and other architectural elements.

3) Hard work –  In my opinion, this is the only sure winner, but it also has to be smart work.  Experienced builders and architects and engineers are often more efficient and have tricks of the trade. Doing your own work, design or construction, can sometimes lead to disappointing results.  The hardwork that makes the most sense in my opinion is spending the time to carefully select your architect and builder, spending the time to have your needs and desires and budget thought through, assisting the architect where possible and being available and giving schematic plans sufficient thought and consideration and getting preliminary pricing before moving along to the more detailed construction documents. It is often a good idea to pick a builder early on so the architect and builder can work together for an efficient collaboration. During construction there is plenty to do. Some builders are open to clients helping with the work, others typically bigger companies, want no part of this.  I have had several projects where a small builder was happy to have the owner operate as a carpenter’s assistant. This is a great way to learn and get your hands dirty while having an expert on hand to guide the project. Home owners also frequently help with clean up and dump runs – labor intensive and low skilled parts of the job. Painting is often done by the home owners, but it is often more efficient to paint before finish electrical and plumbing, so it might be inconvenient for the contractor to wait while the homeowner does their own painting. The most important thing that a homeowner can do to make the job more efficient is to be available and spend the time to make decisions as quickly as possible. If every door knob has not been selected prior to construction with the architect, these things will have to be selected during construction. There are a lot of small decisions like this and it is crucial that they don’t cause delays.  It is even more important that you don’t change your mind about certain decisions. changing things late in the game can be very expensive.  Beyond making decisions, keeping your eye on things is always helpful. Even an untrained eye can detect issues and help things go more smoothly.

4) Simplicity – A cost saving measure that Kira does not mention is simplicity. For example: Most kitchens these days have recessed lights, under-cabinet lights and a decorative light in the middle of the room. If you have high enough ceilings to make it work, stick with one big light in the middle of the room. (if your ceilings are not high, you might not get enough light on the work surfaces.)  Every switch and fixture costs money. Complicated roof lines can be very expensive in labor and materials.

5) Lifecycle costs – It is also important to consider the lifetime costs of the building. Incandescent bulbs might be cheaper, but LED bulbs will save you money in the long run. Durable materials will last longer. Money spent on extra insulation will usually save money down the road.

Interior Design and Color

I’ve been following this blog of a color consultant & interior designer in part out of fascination with someone so different from myself, but also because she has some real tidbits of wisdom. Read the post linked above for her explanation of what is good about this room below.

Maria's favorite room

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I am referring to what appears to be a closet protruding from the second floor addition on the white stucco house.

Wacky Addition

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This is a very curious addition. At least I assume that the second floor was an addition. If it was part of the original design, then it is even more strange.

The Bones Exposed

Work proceeds, but still mostly deconstruction of this old house. IMG_5717 With interior walls torn out it is cool to be able to see all the way through the house from the front door. IMG_5715

cor-ten fence

On my way to buy a delicious vegan donut at Fellini Coffee Bar this morning I stopped to take a picture of this redwood and cor-ten steel fence and struck up a conversation with this lively 80-something year old woman. She asked whether I liked the fence, and was very interested in cor-ten steel when I explained its properties to her. She was curious why I was interested in this fence and whether I was an artist. When I told her I was an architect she was very excited and told me that architecture is her favorite thing. She grew up in the heart of Chicago in the 30s and 40s and developed a love for buildings. Chicago is rich in architecture and its people seem to take great pride in their built environment.  She now lives in the Strawberry Creek Lodge in Berkeley and is looking forward to the renovations and seismic retrofit that is scheduled for the building.  It was nice to meet someone who appreciates architecture as much as I do.

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Matt has the trellis underway (on the left building.) He plans to train a rose to grow on the redwood slats. Mavis and Atticus try sitting on the covered porch in the evening light.

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Willella Elizabeth

Willella Elizabeth McBride will be helping out on future deedsdesign projects. She has an uncanny intuition for good design. Her particular interests are good southern exposure,  the best flooring materials for playing, and acoustics for enhancing baby’s cries.

Before

This new remodel project in Berkeley is underway. They are doing a full house remodel and are smart to make sure that the exterior envelope is in good shape. In our climate these zero overhang stucco houses with old fashioned stucco details (stucco all the way to dirt and no weep screed) often have a lot of rot hidden behind the stucco. You can see some of it in the photos below. The next step will be to remove all the old sheathing and check the studs for rot. After repairing any rotten framing, the contractor will add new plywood sheathing and replace all the windows with modern double glazed models.

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We moved some walls and added some windows and took away a door and moved the kitchen to the other side of the house and added a bathroom and opened up the space a bit. We also upgraded the heating, hot water, ventilation systems and the electrical and lighting. The before shots don’t look anything like these almost finished shots, but you’ll just have to believe me.  The layout changed so dramatically that they are not really relevant.  Hopefully I’ll have some professional photos when its really finished! This post shows the project at an earlier stage.

The square hole in the wall to the left really helps to connect the kitchen (on left), dining (on right) and living room (beyond grey wall.) The entry closet is camouflaged in wall-matching grey paint.

6″ LED recessed lights by Cree provide ample warm light in the kitchen. Vertical grain fir custom cabinets by Steve Shada, Pika Woodworking

Low voltage art lights await the art on the living room walls

Evelyn Grace Academy by Zaha Hadid Architects

Dezeen magazine published this article about new policies in the UK mandating more utilitarian designs for new schools to be built in upcoming years.  The Royal Institute of British Architects (RIBA) has responded to the new rules with concerns that many of the guidelines will yield short-term savings at the expense of long-term goals.  I haven’t yet thoroughly read the regulations, but they do seem a bit overly rigid. The article contains a kind of depressing, misguided quote from education secretary Michael Gove:  ”We won’t be getting Richard Rogers to design your school, we won’t be getting any award-winning architects to design it, because no one in this room is here to make architects richer.”  As if there was a big problem of architects getting rich at the expense of the schools. They might be right to hirer fewer flashy star architects and I agree that schools, and buildings in general need to be sure to address practical concerns in addition to pushing the envelope with creativity, but it seems that they likely have gone too far with their guidelines.